San Francisco

The opera delineates the real-life friendship between librettist Howard Reich and Elie Wiesel, Nobel laureate and Holocaust survivor.

Based on John Patrick Shanley’s Pulitzer-winning play, the opera asks whether audiences can handle uncertainty.   

Reyes Dance’s String Quartet No. ATE explores the choreographer’s recent Type 2 diabetes diagnosis.

The baritone speaks with SF Classical Voice ahead of his 75th time singing Figaro in The Barber of Seville.

On his new album, the singer moves between defiance, lyricism, and ghoulish humor across works by nine living composers, including Gordon Getty.

During a listening party at Monk Space, there was obvious artistic synergy between the composer and The Industry — a cutting-edge opera company.

The composer’s latest album underscores the long, unfinished promise of equality.

Now in its fourth year, Melissa Tannus’s festival brings nine teachers and a weekend of classes, jams, and performances to S.F.

Departing Music Director James Conlon presided over the whimsical production of Benjamin Britten’s opera at the cathedral.

Maurice White’s long-lost concerto and orchestral arrangements of his hits anchor a tribute concert 23 years in the making.