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Latest From the SFCV Feed

Andrew Gilbert - March 13, 2023

The saxophonist/composer, a key figure in the Afrofuturist movement, celebrates 50 years of his band as he moves into new creative territory.

Victoria Looseleaf - March 13, 2023

As she makes a West Coast swing with her solo Bach recital, the violinist talks about sustaining a career, taking risks, and Instagram.

David Bratman - March 13, 2023

In Berkeley, the orchestra and conductor Christian Thielemann applied their unique sound to the music they’re most associated with.

Tom Jacobs - March 10, 2023

Tapping into Los Angeles’ thriving small-theater scene might be the perfect way for classical musicians to reach a wider audience.

Michael Zwiebach - March 10, 2023

Building on the company’s recent success, General Director Shawna Lucey unveils a lineup with more firsts and some welcome blasts from the past.

Emily Wilson - March 10, 2023

The celebrated artistic director of Apollo’s Fire is teaming up with Philharmonia Baroque Orchestra for a program of traditional Jewish music.

David Bratman - March 8, 2023

Paul Huang and Danbi Um share a program for Chamber Music San Francisco, collaborating on a rarely played piece by Moritz Moszkowski.

Nicholas Jones - March 8, 2023

Brilliantly cast and with stirring singing from The Clarion Choir, this concert performance takes the measure of Handel’s magnificent oratorio.

Richard S. Ginell - March 8, 2023

Chamber-scored morsels of the composer’s operas and the early string quartet Arcadiana highlight the program.

Chrysanthe Tan - March 7, 2023

The famous 19th-century mezzo Pauline García Viardot wrote this work for her children and vocal students, and it still holds up today.