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The pioneering conductor and indefatigable impresario talks about Muse/ique, her stint with Jessye Norman, and a new Nat King Cole project.

The bass-baritone created a spiritual space without dogma in a Monday Evening Concerts performance.

The West Coast premiere of Anthony Davis’s Restless Mourning highlights a chamber concert of memorial pieces.

Matthew Ozawa sees a vital beacon of hope for the downtrodden in the opera’s dramatic arc.  

Rachel Willis-Sørensen and Jamie Barton thrill in a festive evening that transcended a few challenges.

The tenor and pianist are in perfect synch in this savvy, well-recorded collection of songs expressing joy and sorrow.

A new disc featuring commissions for the Paul Whiteman Orchestra reveals the charms of a once-popular composer who deserves wider recognition.

The composer speaks about the music he’s chosen for the festival weekend — mostly other composers’ works.

The massive success of the group’s Virtual Happy Hours combines with in-person performances.

In her long conducting career, Alsop has often been first, but she’s also a standout recording star.