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The opera’s composer, librettist, and director chat about the evolution of their fresh take on the Orpheus myth.

A year after appointing a new music director, LACO completes a leadership changeover.

The viol consort gives a captivating account of Lachrimae in Berkeley.

The annual recital series kicks off on Jan. 29.

The harpsichordist/conductor talks about being a woman on the podium, her upcoming stint with the LA Phil, and her passion for Baroque music.

LBO’s King Arthur treads a fine line between 17th-century elegance and 21st-century political theater.

Pianist Robert Mollicone accompanies the mezzo in a program of “Spanish” music filtered through composers from France, Russia, Italy, and even Spain.

The orchestra shows its strengths in Brahms’s Second Symphony.

A Jake Heggie premiere highlights residencies at Kohl Mansion and the Soraya.

The LA Phil’s former music director puts the 12-tone system in context for those willing to listen and learn.