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St. Ignatius Church, overlooking the Pacific Ocean and San Francisco Bay on Lone Mountain, was the perfect spot for the San Francisco Choral Society’s performance of the Mozart Requiem.

Pieces by Missy Mazzoli and Nico Muhly were the only standouts in a program of music that lacked ambition and scale.

Marais’ opera get its long overdue U.S. premiere thanks to American Bach Soloists.

Oakland Symphony's "new name" is just the good, old one, replaced for some years with the awkward but legally-financially necessary "OEBS."

Co-founder, Michael Adams, says when it comes to programming a festival, you have to know what your audience likes.

After Les Troyens, the S.F. Opera Chorus is preparing for a new season with more opportunities to stand out.

Curious Flights announces its upcoming season, and Seiji Ozawa suffers a hip fracture after a fall.

It’s hard to pick winners from a crowded field of excellent new music, well-performed by the festival orchestra under Marin Alsop.

You’d be forgiven if you haven’t heard of Rebel and Aubert, but ABS’ performance highlighted the inventiveness of their lesser-known works.