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Janos Gereben - January 14, 2014

Avedis Chamber Music Series begins its 29th season this week with the first of four concerts on Sundays at 2 p.m. in the Legion of Honor in San Francisco.

Niels Swinkels - January 14, 2014

Color the S.F. Symphony’s program “Bates” and “Beethoven,” for its unusual pairing of an old master with a youthful and inventive challenger.

Janos Gereben - January 14, 2014
Stuart Skelton as Peter Grimes
Stuart Skelton as Peter Grimes

Even with the announcement on Monday of

Janos Gereben - January 14, 2014

"It’s an incredible voyage to go through Bartók’s six quartets," says violist Geraldine Walther, "because they represent a lifetime of work. Before I joined Takács [she was principal violist of the San Francisco Symphony], even though I’d played the Viola Concerto and the Concerto for Orchestra, I didn’t really know Bartók.

Janos Gereben - January 14, 2014
"Play one wrong note and you die!"
"Play one wrong note and you die!"

This is the short synopsis for Eugenio Mira's

Janos Gereben - January 14, 2014
The auditorium of the Masonic Memorial Temple
The auditorium of the Masonic Memorial Temple

The main auditorium of the

Lisa Houston - January 13, 2014

Past-mistress of that ancient Chinese stringed instrument the pipa, Wu Man reflects on her unconventional start in music and her long road to the world’s concert stages.

Thomas Busse - January 13, 2014

Near-perfect vocalism and fine instrumental performances mark Musica Pacifica’s concert of French Baroque works.

Steven Winn - January 13, 2014

The Gold Rush, whose score Charlie Chaplin composed and recorded, was one of the drawing cards of the S.F. Film Festival, with music played by the S.F. Chamber Orchestra.