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Cellist Matt Haimovitz suits the age-of-anxiety mood of Philip Glass’ cello concerto, based on his movie score and recently expanded to concerto dimensions.

Mark Morris demonstrates, once again, that he has quite an ear in the presentation of (the world premiere) Spring, Spring, Spring and Mosaic and United, one of his best pieces. 

When the light grows longer in summer, and it becomes harder for kids (and adults) to go to sleep on time, a little quiet music can do the trick.

Surprisingly, the upcoming performances of the great American musical at the San Francisco Symphony, with a high-powered cast, will be the first-ever concert run-throughs of the entire show.

At the Ethnic Dance Festival this weekend, the illustrious Tibetan opera company Chaksam-Pa will perform, and continue in its tradition of building bridges.

EMI Records is offering the track "Besame Mucho" from Los Pájaros Perdidos for SFCV users to enjoy.

By good luck, SFCV was present at the rehearsal of a pivotal scene in Act 1 of The Gospel of Mary Magdalene. Here's sharing that fly-on-the-wall experience.

Pianist Jonathan Biss, about to perform Schumann with the S.F. Symphony, champions him as a perpetually fascinating composer who elicits deep personal feelings.

New music has never been a problem for Nathan Gunn. In this interview, he talks about the challenge of playing Jesus in Mark Adamo’s opera The Gospel of Mary Magdalene.