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Latest From the SFCV Feed

Janos Gereben - April 16, 2013

When Michael Tilson Thomas conducted the Vienna Philharmonic last week in Festival Hall, at "The Rest Is Noise," Southbank Centre’s festival of 20th-century music, the composition of the orchestra made some encouraging news "for those who thought that the Vienna Philharmonic not only hadn’t made it to the 21st c

Janos Gereben - April 16, 2013
Sherman Clay, 1870-2013
Sherman Clay, 1870-2013

When Sherman Clay, a San Francisco establishment since Leander Sherman ope

John Bender - April 16, 2013

Puccini’s Suor Angelica and Gianni Schicchi receive propulsive, emotionally engaging performances by Opera San José.

Janos Gereben - April 16, 2013
Colin Davis
Colin Davis

On the week's obituary list: Sir Colin Davis, 85, and Adolph "Bud" Herseth, 91, principal trumpet of t

Scott Cmiel - April 15, 2013

A young winner of an international guitar competition, Vladimir Gorbach, presents a nuanced, passionate performance of little-known works.

Janos Gereben - April 15, 2013

The story of noble Orpheus and virtuous Eurydice, the classic originating with Virgil in 30 BC, is given a current treatment by Pocket Opera that will shock you — in a delightful way.

Jason Victor Serinus - April 14, 2013

Jonathan Berger and Dan O’Brien’s double-bill world premiere of Theotokia and The War Reporter takes advantage of Bing’s architecture and overly resonant acoustic for ... hallucinations.

Janos Gereben - April 13, 2013

Two weeks after word about a tentative collective bargaining agreement between San Francisco Symphony and Musicians Union, Local 6, AFM, the two sides announced ratification of a 26-month contract.

Niels Swinkels - April 12, 2013

Before making his S.F. Symphony debut, Augustin Hadelich talks about his musical upbringing in Italy with German parents, how he prepares for performance, and where he finds his extraordinary instruments.