In her long conducting career, Alsop has often been first, but she’s also a standout recording star.
The singer made her role debut with SF Opera on Saturday. Catch one of the four remaining performances.
In concert, the layers and cumulative, syncretic power of Joachim’s music become clear.
Written especially for women survivors of violence, the interactive e-book provides lessons and ideas of value to anyone.
She wanted to conduct her own orchestra, so she built the San Francisco Philharmonic, which debuts Feb. 3.
The Haitian-American flutist talks about making her own musical path and finding common cause with Eighth Blackbird.
Women film composers are banding together to have their voices and their music heard.
The San Francisco-based bassist, composer, music curator, and producer talks to SFCV about taking her latest composition on the road.
Celebrating her 20th year at the helm of the Cabrillo Music Festival, Marin Alsop reflects on changes she’s instituted and going outside her comfort zone for new works.
Magnificat brings compositions by the 17th-century composer Chiara Cozzolani to the fore.
