It has become a cliche to refer to classical musicians as being “phenomenal” or even geniuses at their instruments. If a performer can get to the heart of the music, that’s enough for me. Still, in a profession in which it’s expected that as a teenager you have already learned and performed the summits of the keyboard, it has become increasingly difficult to grab the attention of the public as, say, Vladimir Horowitz did when he raced Sir Thomas to the finish line of the Tchaikovsky First.