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In a major recital for LA Opera, the tenor sings three world premieres dealing directly with being proudly gay.

Our intrepid Rubin Institute fellow spent a busy weekend in the city on a hill, catching five different ensembles.

The orchestra salutes architect Frank Gehry in its just-announced new season.

SFCV chats with the conductor and pianist, who takes the stage with his former ensemble to solo in a new concerto by his son Gabriel.

It wouldn’t be the first time in the orchestra’s history that contract negotiations disrupted an overseas trip.

The pioneering flutist and SF Symphony collaborative partner makes a masterpiece out of Marcos Balter’s imaginative work.

The music of Billy Childs, Gabriella Smith, and Steven Mackey interprets the threat to California’s oldest living things.

But those works are just an anchor for a festival that will embrace everything from the Baroque to the 21st century this season.

Music Director James Conlon devises a citywide celebration of the composer ahead of LA Opera’s production of Pelléas and Mélisande.

Classical insiders, like conductor JoAnn Falletta, have major issues with the film’s veracity, but they’re still fascinated.