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Latest From the SFCV Feed

Jason Victor Serinus - February 24, 2023

In Variations on a Theme by FDR, composers from John Harbison to Vijay Iyer take inspiration from emblematic American stories.

Janos Gereben - February 24, 2023

As ever, the future of opera looks bright with this incoming class of singers, pianists, and stars in the making.

Josef Woodard - February 21, 2023

The company realizes Jack Perla’s one-act An American Dream in vivid detail.

Simon Cohen - February 21, 2023

The Takács Quartet’s first violinist tracks his own history and those of favorite composers in Distant Melodies: Music in Search of Home.

Richard S. Ginell - February 21, 2023

A DVD of the new ballet shows its onstage brilliance in addition to being a great score.

Victoria Looseleaf - February 21, 2023

The Soraya brings to fruition a trilogy of works celebrating native California trees that are now threatened by climate change.

Jim Farber - February 21, 2023

The Pasadena Playhouse offers a glimmering revival of Stephen Sondheim’s musical about art and artists.

Nicholas Jones - February 21, 2023

Pierre-Laurent Aimard is back for a polished solo turn in Béla Bartók’s Second Piano Concerto.

Lou Fancher - February 21, 2023

The tight-knight vocal ensemble that specializes in the music of Eastern Europe has been developing BABA with conductor Karmina Šilec.

Molly Colin - February 20, 2023

Brubeck’s The Gates of Justice, a 1969 piece very different from his up-tempo jazz standards, gets two performances in L.A. this month.