The chorus is planning an international tour and a varied season.
Esa-Pekka Salonen leads the Bay Area premiere of John Adams’s recent piano concerto, Must the Devil Have All the Good Tunes?
The adventurous Chicago ensemble records a set of new works that at times sound reassuringly traditional.
Big premieres and interesting collaborations highlight a remarkably diverse season.
A lot has changed since the company premiered the work in 2019, including a Pulitzer Prize for Anthony Davis’s score.
Is there enough in this opera to warrant a revival?
The dancers and musicians of the American Modern Opera Company know how to have fun while still crafting serious performances.